Sonic Gaze Media intro & invitation

Introduction and invitation to propose a media inclusion.



A new section for the site, launched in February 2018
Documentaries, conversation, and testimonies on the subject matter of the that is Acoustic Ecology, Soundwalks, Sonic Gaze (Merseyside) projects and site-specific sound art. 

At the bottom of the pages in this section, you will notice that it is possible to comment but only if you are registered and logged in. The comments likewise can only be viewed by those who are registered and are logged in.

You are invited to share suggestions for this section, this can be achieved by completing the form below.
All media content formats can be processed by the Joomla system that manages this site, youtube, Vimeo. SoundCloud. etc
A .pdf plugin will soon be available for the display of articles.

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Read 623 times

Framework radio feed

framework radio

23 January 2022

phonography ::: field recording ::: the art of sound-hunting ::: open your ears and listen framework radio
  • #784: 2022.01.16 [france jobin]
    Bonjour, I am France Jobin, Welcome to these are a few of my favorite things. As mentioned in earlier installments, my interpretation of field recording based works is very broad. however, the thread I like to follow is to find artists who have mastered their unique identity through the music of sound. With this edition of my favorite things, it is my pleasure to showcase sound artists from Medellin, Colombia.
  • #783: 2022.01.09
    happy new year! we've had a refreshing few weeks off, but we're back now with a full schedule of new material, guest producers, and plans for 2022. we're getting off to a running start with our first show back, which began with a healthy dose of skepticism by a perhaps unwilling listener, before moving us through sounds from the uk, france, norway, the us, greece and saudi arabia.
  • #782: 2021.12.19
    this is our final show for 2021, and it comes with a small gift for you, dear listener - we're making this week's voiceover-free version of the show, usually reserved for our patreon supporters, available to everyone, just click the link above to enjoy this final mix of the year without all my babbling. we know many of you enjoy the dulcet tones of my whisky-soaked voicebox (if i'm lucky), but some of you may prefer to hear the sounds contributed by the amazing artists listed below without having to listen to me babble on about the weather and our bandcamp page. so - listen! enjoy! and happy holidays! for our final mix of the year we're taking another dip in to the possible moistures compilation, exploring the new release sent to us on an actual cd in the actual post (!) by annette krebs, enjoying some crackle and scratch by s.(tandard) grey, finally remembering to air two single unreleased works (they tend to get misplaced in the submissions folder) by ceclia tyrell and timo carlier, traveling the globe from out studio with the aporee soundmaps, and ringing out the year with a framework introduction recorded in taiwan by vince hancock.
  • #781: 2021.12.12 [ben link collins]
    the last edition of framework:afield for 2021 has been produced in the united states by ben link collins. for more of his work see producer's notes: There’s a lot that I could tell you about Big Bend, but I think for the sake of these recordings there are only two main bits of information you need to know. First, as I said, Big Bend is on the U.S. Mexico Boarder, where in years prior the pandemic tourists could cross the Rio Grande River into Mexico to spend a day in a small town called Boquillas.  Since the border closing between the United States and Mexico, which fortunately will be ending soon, Boquillas has been completely cut off from tourism, which makes for the vast majority of the towns income for it’s 250-300 residence.  However, everyday tourists wade through the usually shallow waters to set foot in Mexico, and residence of Boquillas cross the border to fish, move ranch animals, and to layout displays of trinkets, jewelry, and souvenirs for U.S. tourists in Big Bend to purchase by placing money in a jar or aluminum coffee can, purely relying on the honor system. The second thing you need to know is about the geological history of how Big Bend came to be.  The mixture of flat desert and abrupt extrusions of land into mountains and canyons is the result of something called the Western Interior Seaway, which was a body of water that bisected North America from the Gulf of Mexico to the Arctic Ocean up until around 60 million years ago.  Since then, rising tectonic plates and volcanic eruptions have raised the land above sea level. But the established land formations from volcanic eruptions, underwater sediment and ocean current, as well as fossils of the lives lived in the Seaway, are still in abundance and make up the surreal landscape.  In short, you are always aware that you are walking on an extinct ocean floor.
  • #780: 2021.12.05
    well folks, we are approaching, but not quite yet arrived at, the end of our 2021 programming - we have one more edition of framework:afield next week (produced in the u.s. by ben link collins) and then one final regular edition the week after, and then we'll be taking our much-needed holiday break, taking a few weeks to refresh our ears (and heat our studio - it's a chilly -18C here this morning!) and coming back to you with new sounds on january 9th. as always, there are plenty of shows in the archive to keep you tided over - we've sure you haven't heard all 639 of them - until we come back. but this week you can enjoy these great sounds, from a new discovery for us, the canadian sound artist dang., a new work from ian wellman, another wonderful release from the forms of minutiae label, and a glorious single-take recording at a frozen lake not too far from here in finland by till bovermann aka lfsaw. and we started it all off with a framework introduction recorded for us by regular contributor william denton. [...]