Workshop A day developing our pratice 21.03.2018

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This is a unique opportunity

[notes on the video playlist - The videos in the playlist give a feel for the music and the discussion topics that may arise during this session. The musicians of the day will be different[

Phil Morton writes: as the Centrifuge project reaches its 10th anniversary it is a great personal pleasure to present this impressive extended line up for the festival at the Capstone and to this workshop. The Centrifuge project draws on a large and shifting pool of improvising musicians, and the ensemble for this workshop/development day is a rich list of experienced and important artists active in the British improvised and creative music sector.

The aim is to:

  • To develop a literacy that enables the verbal articulation and sharing of ideas.
  • To develop the music; particular sensibilities or values may become more apparent through the combination of playing and discussion. This may help us negotiate improvisations with further sensitivity and awareness, even if a unified  ‘aesthetic’ does not emerge (although this might happen too!).

The music, the genre is: free improvisation, a music that

  • Creates its own form as it happens (Evan Parker)
  • Non-idiomatic improvising (Derek Bailey)
  • Wikipedia entry URL LINK
  • Improvisers' networks website presentation: 14 videos, nature and practice of free improvisation in music URL LINK

The ideas explored may include

  • Extended instrumental techniques,
  • A sense of time and place
  • Timbral, timbral matching
  • Attentive listening
  • The experience of time, playing with time or outside of it.
  • Spatial awareness, from minimalism to density, and intensity
  • Group dynamics, exploring the creative dynamic of the artists present.
  • Where to start, how it ends.
  • The shared ambition to take the music to undiscovered places. 

The participants will

  • Listen and give witness to pieces of free improvised music performed by a small ensemble.
  • The artist will share their experiences and thoughts about the music they just performed.
  • The workshop participants will enter into a dialogue and engage with the artist on the content; of the music presented and the reflections and thoughts of the artists who performed.
  • This is a focused and at times intense process as we try to develop a literacy that enables the verbal articulation and sharing of ideas in a practice that is unpredictable.

The musicians who will perform at the session in small groups, a rich list of experienced and important artists active in the British improvised and creative music sector.

Anton Hunter - guitar
Bruce Coates - alto saxophone
Camilla Cancantata - voice, trombone
Ian Simpson - guitar
Lawrence Casserley - electronica,
Mark Hanslip - tenor saxophone
Martin Hackett - Korg MS
Phil Morton - accidents & treatments
Robin Hartwell - piano
Shaun Blezard - electronics
Steve Lewis - voice
Walt Shaw - percussion

Time, date and location

Wednesday, 21st March, 2.00pm - 4.30pm
Liverpool Hope University Creative Campus, 17 Shaw Street, Liverpool L6 1HP

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