Displaying items by tag: recent new documents

Founded in 2000, Irtijal is currently the oldest music festival of Beirut city. Its wide musical range includes experimental music, free jazz, free improvisation, contemporary music, noise and free rock as well as other forms of innovative music-making.

new world music: creative music by leo smith

This article documents experiences of Glasgow Improvisers Orchestra’s virtual, synchronous improvisation sessions during COVID-19 pandemic via interviews with 29 participants.

Title of the book : Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session

Stockhausen's Intuitive Music
by Hugh Davies
First printed in Musics, April/May 1975, p.10-11.

Intervenes in contemporary debates about the relationship between literature and field recording

Making Music with sound, Leigh Landy.

Product details

• Paperback: 224 pages

• Publisher: Routledge; 1 edition (22 Jun. 2012)

• Language: English

• ISBN-10: 0415898463

• ISBN-13: 978-0415898461

• Product Dimensions: 15.2 x 1.3 x 22.9 cm

Amazon review,

In first place the title sounds silly. But it is worth a second thought. This books frees from seeing music in the traditional application of instruments, tunes and chords. It is meant for young teachers and younger children to find a new access to the "music" of today. It does not only talk of noises, though it does not follow up, what music is or can be. Even as a modern composer I found clear definitions of elements in the digital production. So it is very valuable to lay some ground for our future : consuming and producing of music.

Reinhard Fuchs

Online review; by Duncan Chapman, I think....(p morton)
https://www.cambridge.org/core/journals/organised-sound/article/landy-leigh-making-music-with-sounds-new-york-routledge-2012-isbn-9780415898461-and-9780415806787-hard-cover/91BE61C724D67EB7AC1DED72FBC30334

Review refernce:
Chapman, D. (2013). Landy Leigh, Making Music with Sounds. New York:
Routledge, 2012. ISBN 978-0-415-89846-1 and 978-0-415-80678-7 (hard
cover). /Organised Sound,/ /18/(2), 229-231. doi:10.1017/S1355771813000149

This book has been suggested by Phil Morton, Liverpool:Uk  `This is a very helpful book, it starts with simplicity, and is very open. I recommend it.`

One of music's most unique and interesting voices, and a star student of the legendary Anthony Braxton, guitarist Mary Halvorson discusses how she reconciled her work with standards and with free improvisation in her own music.

Learn more at http://academy.jalc.org

Mary Halvorson - Guitar Eric Suquet -
Director Bill Thomas -
Director of Photography Aaron Chandler -
Sound Engineer Rich Emery -
Production Assistant Seton Hawkins -

Producer Recorded March 6, 2014

description AUTONOMOUS OBJECTS Anton Mobin