- You are here:
-
Site Home Page
-
Sonic Gaze Media
- recent new documents
Displaying items by tag: recent new documents
Title of the book : Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session
Stockhausen's Intuitive Music
by Hugh Davies
First printed in Musics, April/May 1975, p.10-11.
Intervenes in contemporary debates about the relationship between literature and field recording
Making Music with sound, Leigh Landy.
Product details
-
Paperback: 224 pages
-
Publisher: Routledge; 1 edition (22 Jun. 2012)
-
Language: English
-
ISBN-10: 0415898463
-
ISBN-13: 978-0415898461
-
Product Dimensions: 15.2 x 1.3 x 22.9 cm
Amazon review,
In first place the title sounds silly. But it is worth a second thought. This books frees from seeing music in the traditional application of instruments, tunes and chords. It is meant for young teachers and younger children to find a new access to the "music" of today. It does not only talk of noises, though it does not follow up, what music is or can be. Even as a modern composer I found clear definitions of elements in the digital production. So it is very valuable to lay some ground for our future : consuming and producing of music.
Reinhard Fuchs
Online review; by Duncan Chapman, I think....(p morton)
https://www.cambridge.org/core/journals/organised-sound/article/landy-leigh-making-music-with-sounds-new-york-routledge-2012-isbn-9780415898461-and-9780415806787-hard-cover/91BE61C724D67EB7AC1DED72FBC30334
Review refernce:
Chapman, D. (2013). Landy Leigh, Making Music with Sounds. New York:
Routledge, 2012. ISBN 978-0-415-89846-1 and 978-0-415-80678-7 (hard
cover). /Organised Sound,/ /18/(2), 229-231. doi:10.1017/S1355771813000149
This book has been suggested by Phil Morton, Liverpool:Uk `This is a very helpful book, it starts with simplicity, and is very open. I recommend it.`
One of music's most unique and interesting voices, and a star student of the legendary Anthony Braxton, guitarist Mary Halvorson discusses how she reconciled her work with standards and with free improvisation in her own music.
Learn more at http://academy.jalc.org
Mary Halvorson - Guitar Eric Suquet -
Director Bill Thomas -
Director of Photography Aaron Chandler -
Sound Engineer Rich Emery -
Production Assistant Seton Hawkins -
Producer Recorded March 6, 2014
Framework radio feed
framework radio
14 September 2025
phonography ::: field recording ::: the art of sound-hunting ::: open your ears and listen
-
#941: 2025.07.27 [julian weaver]
this edition of framework:afield, entitled mean sea level, has been produced in the uk by julian weaver. producer's notes: Combining field recordings with live and found sounds, scientific experiment and more, Mean Sea Level elaborates on literal, imaginary, and complex foreshores emerging around the mainland of the UK. […]
-
#940: 2025.07.20
in this edition recent sounds from a perpetual favorite of recent years, manja ristić's sargassun aeterna is composed from field and hydrophone recordings from portugal, scotland, croatia and serbia, along with violin, synths, and shells. from here we await dawn, with 3 dawn recordings from various wildlife sanctuaries and forests […]
-
#939: 2025.07.13 [isto rahkila]
this edition of framework:afield has been produced in finland by isto rahkila. producer's notes: I have long been interested in what is found between sounds or shapes and I think it has at least as much influence on what can be perceived by seeing or hearing. So to speak, it [...]
-
#938: 2025.07.06
a dig into 2 of the 3 recent anthologies of location recordings by post-orientalism music, based in washington dc and curated by iranian-born composer and theorist ehsan saboohi. also the latest batch of soundwalkscapes by viv corringham, who describes the process thusly: take a walk each month, make recordings en route […]
-
#937: 2025.06.29 [das]
this edition of framework:afield has been produced in the united states by dAs, purveyor of fine sounds via UBUIBI and big city orchestra for over 30 years. this piece is entitled alameda ether walk. producer's notes: A lot of my source material comes from chance or transitory events. - piezo's & hydrophones […]