The Blank Canvas Octet is a project exploring free improvisation in music in a large ensemble context. It uses the ‘system 50:50` - where chess clocks are used to bring cohesion to the sound field which can often become cluttered. The result is a dynamic and shifting canvas of sound that allows small discreet sounds to be heard and deeper layers to be felt and expressed. An exciting project to participate in, to witness and to hear.

On system 50:50

“Definitely something with LOADS of possibilities - the reaction in the car driving back was unbelievably positive - no one could remember playing in a large ensemble that was so "open". The openess allowed me to play quietly, which meant the dynamics were incredible for an improvising large ensemble.” - Charlie Collins, improviser, Sheffield.

The open session at The Ship and Mitre on Sunday July 21st, presents the music, the improvisations in an informal context and may include discussions and dialogue exploring our experience of the pieces of music presented and shared. It is neither a concert nor a workshop, it is an open session that allows players and listeners to; share,exchange and collaborate.

Listeners, may attend as part of an audience.

Musicians and improvisers may also attend as part of an audience to witness the process and the music thus helping them to decide if this if for them, and for them to participate in during a future event.

The octet will feature more or less

ALEX SCOTT, trombone
NICK BRANTON, reeds
MARTIN HACKETT, korg ms (Oxford Improvisers)
SIMON ROSS, turntable
IAN SIMPSON, guitar
PHIL MORTON. accidents and treatments
SABINE, guitar, last set
TIM SAUNDERS, percussion (Preston - Jigsaw group)

Sunday July 21st
Ship and Mitre The Ship & Mitre
33 Dale St, Liverpool L2 2JH,

Doors, the musicians, 6.30 pm
Doors the public 7.45 pm
Event starts 8.00 pm
Admission, free