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Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session

Title of the book : Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session

Stockhausen's Intuitive Music by Hugh Davies

Stockhausen's Intuitive Music
by Hugh Davies
First printed in Musics, April/May 1975, p.10-11.

Writing the Field Recording Sound, Word, Environment

Intervenes in contemporary debates about the relationship between literature and field recording

Making Music with sound, Leigh Landy

Making Music with sound, Leigh Landy.

Product details

Paperback: 224 pages
Publisher: Routledge; 1 edition (22 Jun. 2012)
Language: English
ISBN-10: 0415898463
ISBN-13: 978-0415898461
Product Dimensions: 15.2 x 1.3 x 22.9 cm

Amazon review,

In first place the title sounds silly. But it is worth a second thought. This books frees from seeing music in the traditional application of instruments, tunes and chords. It is meant for young teachers and younger children to find a new access to the "music" of today. It does not only talk of noises, though it does not follow up, what music is or can be. Even as a modern composer I found clear definitions of elements in the digital production. So it is very valuable to lay some ground for our future : consuming and producing of music.

Reinhard Fuchs

Online review; by Duncan Chapman, I think....(p morton)
https://www.cambridge.org/core/journals/organised-sound/article/landy-leigh-making-music-with-sounds-new-york-routledge-2012-isbn-9780415898461-and-9780415806787-hard-cover/91BE61C724D67EB7AC1DED72FBC30334

Review refernce:
Chapman, D. (2013). Landy Leigh, Making Music with Sounds. New York:
Routledge, 2012. ISBN 978-0-415-89846-1 and 978-0-415-80678-7 (hard
cover). /Organised Sound,/ /18/(2), 229-231. doi:10.1017/S1355771813000149

This book has been suggested by Phil Morton, Liverpool:Uk `This is a very helpful book, it starts with simplicity, and is very open. I recommend it.`

Mary Halvorson Breaks Down Free Improvisation

One of music's most unique and interesting voices, and a star student of the legendary Anthony Braxton, guitarist Mary Halvorson discusses how she reconciled her work with standards and with free improvisation in her own music.

Learn more at http://academy.jalc.org

Mary Halvorson - Guitar Eric Suquet -
Director Bill Thomas -
Director of Photography Aaron Chandler -
Sound Engineer Rich Emery -
Production Assistant Seton Hawkins -

Producer Recorded March 6, 2014