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  • ...o has lived in London since the late 1970s. He was originally a physicist.[1] He began playing at the University of Surrey where he was studying physics
    3 KB (437 words) - 12:45, 9 January 2020
  • ...y soft and quiet dynamics, silence, and unconventional sounds and timbres.[1]
    633 B (93 words) - 09:08, 26 August 2017
  • ...o the introduction of musique concrète (a form of musique expérimentale)[1] in the late 1940s. Unlike musical works that are realised using sheet musi
    2 KB (303 words) - 19:43, 4 January 2020
  • ...hool of improvised music that was active in the late 1990s and early 2000s[1] and which has been described as being "extremely influential over the last
    2 KB (265 words) - 08:28, 12 January 2020
  • .../macbirmingham.co.uk/hire/room/music-rooms#dance-music-studios Music rooms 1-5 descriptions]
    2 KB (339 words) - 17:14, 27 April 2018
  • ...he Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t ...cussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-f
    2 KB (215 words) - 12:24, 3 January 2020
  • MAC Music Room 1 Music Room 1
    482 B (65 words) - 13:07, 21 September 2017
  • Musics was a music-related magazine that was published from 1975 to 1979.[1] Musics, headquartered in London, has not been published since 1979.[1]
    2 KB (253 words) - 17:08, 3 January 2020
  • ...argrit Rieben, Mark Hanslip, Mark Jones, Matt Wand, Mick Beck, Neil Packer 1/2, Pascal Nichols, Pete Jones, Phil Hargreaves, Phil Lucking, Phil Marks, P
    3 KB (414 words) - 14:14, 7 January 2020
  • 1 Trevelyan Terrace Improvisers' networks Wales Jigsaw series 1-7 & Ed Wrights OscilloScope
    1 KB (197 words) - 17:15, 4 January 2020
  • [[File:Venue-2-1.jpg|none | 200px|thumb|]] == Room / Venue 1 larger room ==
    3 KB (427 words) - 06:44, 21 October 2017
  • * 1 Article published in `Noise gate`.
    10 KB (1,571 words) - 12:16, 30 October 2022
  • ...It is exposing our ears to every sound around us no matter where we are." [1]
    961 B (152 words) - 10:27, 22 January 2020
  • Criteria 1 - All platforms, music-dance etc, ...try in the discussion board. To find the discussion topic for a venue, try 1) Enter the name in the search box 2 try entering the unique search referenc
    2 KB (237 words) - 12:33, 14 August 2018
  • *1 Renshaw street can be considered as a music venue. It is not an art centre
    2 KB (338 words) - 07:44, 20 September 2018
  • ...ed in Free Ensemble Improvisation, Harald Stenström, page 115''' url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-f ...iously reinforce musical idioms or existing compositions”. (Berndt 1996: 1) </blockquote>
    4 KB (587 words) - 08:46, 11 October 2022
  • ...he Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t ...cussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-f
    2 KB (250 words) - 11:16, 3 January 2020
  • ...he Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t ...cussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-f
    3 KB (428 words) - 08:57, 4 January 2020
  • ...he Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t ...cussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-f
    2 KB (269 words) - 10:50, 3 January 2020
  • ...he Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t ...cussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-f
    2 KB (253 words) - 11:02, 3 January 2020
  • ...he Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t ...cussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-f
    2 KB (267 words) - 11:09, 3 January 2020
  • ...ents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 1
    1 KB (178 words) - 21:03, 3 January 2020
  • ...playing musical instruments employed to obtain unusual sounds or timbres.[1]
    2 KB (286 words) - 12:13, 3 January 2020
  • ...t implements a kind of direct control or guidance over their own behavior.[1]
    3 KB (465 words) - 08:54, 4 January 2020
  • Shelley Hirsch (born June 9, 1952 in Brooklyn, New York) is a vocalist,[1] performance artist, composer, improviser, and writer. She won a DAAD Resid
    1 KB (162 words) - 20:31, 3 January 2020
  • ...rd Living Dictionaries, to listen is to give attention to sound or action.[1] When listening, one is hearing what others are saying, and trying to under
    1 KB (201 words) - 21:08, 3 January 2020
  • ...ist worldview tend to find common values and goals as particularly salient[1] and demonstrate greater orientation toward in-group than toward out-group.
    1 KB (150 words) - 09:59, 6 January 2020
  • ...Haus, developed in Stockhausen's 1968 Darmstadt lectures and performed on 1 September 1968, several months before the first realisations of any of the
    3 KB (395 words) - 09:29, 19 January 2020

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