Difference between revisions of "Background listening - attentive listening"
(Created page with "'''Background listening''' Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listen...") |
|||
Line 7: | Line 7: | ||
− | '''source''': quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [ | + | '''source''': quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [http://www.improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 1 |
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. | This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. |
Revision as of 13:54, 22 November 2019
Background listening
Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listening-in-readiness, and background listening”. 5 (pp. 79–80)
Background listening “occurs continuously when we are not listening for a particular sound . . . where the listener is actively engaged in some other activity”. (p. 80)
source: quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [1] link 1
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.
This is the link to the topic `Background listening - Attentive listening` in the forum. [2]
Alternatively enter this topic ticket number T1389 in the discussion board search box
This is the link to the forum, `Attentive listening - what is it` [3]
Share, exchange and collaborate