Difference between revisions of "Background listening - attentive listening"
(Created page with "'''Background listening''' Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listen...") |
Phil Morton (Talk | contribs) |
||
| (2 intermediate revisions by one other user not shown) | |||
| Line 7: | Line 7: | ||
| − | + | ==Source== | |
| + | Quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [http://www.improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 1 | ||
| + | ==Discuss this further== | ||
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. | This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. | ||
This is the link to the topic `Background listening - Attentive listening` in the forum. [https://www.improvisersnetworks.online/forum/viewtopic.php?f=716&t=1397&p=1799&sid=f80d93bf18b9188715f2150b83b17a1c#p1799] | This is the link to the topic `Background listening - Attentive listening` in the forum. [https://www.improvisersnetworks.online/forum/viewtopic.php?f=716&t=1397&p=1799&sid=f80d93bf18b9188715f2150b83b17a1c#p1799] | ||
| − | Alternatively enter this topic ticket number | + | Alternatively enter this topic ticket number T1307 in the discussion board search box |
This is the link to the forum, `Attentive listening - what is it` [https://www.improvisersnetworks.online/forum/viewforum.php?f=342&sid=f80d93bf18b9188715f2150b83b17a1c] | This is the link to the forum, `Attentive listening - what is it` [https://www.improvisersnetworks.online/forum/viewforum.php?f=342&sid=f80d93bf18b9188715f2150b83b17a1c] | ||
| − | + | __FORCETOC__ | |
| − | + | ||
[[Category:Attentive Listening]] | [[Category:Attentive Listening]] | ||
Latest revision as of 21:03, 3 January 2020
Background listening
Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listening-in-readiness, and background listening”. 5 (pp. 79–80)
Background listening “occurs continuously when we are not listening for a particular sound . . . where the listener is actively engaged in some other activity”. (p. 80)
Contents
Source
Quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [1] link 1
Discuss this further
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.
This is the link to the topic `Background listening - Attentive listening` in the forum. [2]
Alternatively enter this topic ticket number T1307 in the discussion board search box
This is the link to the forum, `Attentive listening - what is it` [3]
