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Interview - Text - Global

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Launched in June 2018, target 100 interviews
To be continued, Phil Morton

  • Hits: 172
    Web Link Trombonist – SARAH GAIL BRAND

    A series of interviews curated by Saxophonist, flautist, clarinettist, composer and improviser Julie Kjær.
    Chapters: Beginnings, Life and career, The Work, Inspiration and Other Thoughts
    Ninth in the series:
      Trombonist – SARAH GAIL BRAND

  • Hits: 156
    Web Link Vocalist – KAY GRANT
    • Female improviser

    A series of interviews curated by Saxophonist, flautist, clarinettist, composer and improviser Julie Kjær.
    Chapters: Beginnings, On Improvisation, Life and career, The Instrument, The Work, Inspiration and Other Thoughts
    Eighth in the series:
      Vocalist – KAY GRANT

  • Hits: 169
    Web Link Saxophonist and Clarinettist – SUE LYNCH
    • Female improviser

    A series of interviews curated by Saxophonist, flautist, clarinettist, composer and improviser Julie Kjær.
    Chapters: Beginnings, On Improvisation, Life and career, The Work, Inspiration and other thoughts
    Seventh in the series:
      Saxophonist and Clarinettist – SUE LYNCH

  • Hits: 78
    Web Link Why is Improvising Important: interview with Maggie Nicols
    This is the first interview from a 2018 series by Caroline Kraabel, initially broadcast on London's art radio station, Resonance 104.4 FM. Maggie Nicols on improvisation in music, activism and life.

    “Everybody gets it in the end. It’s a question of just being authentic.”

    “If we’re obsessed by someone else not listening, then we’re not listening ourselves – if you want listening (in group improvisation), then listen, if you want more space, put more space in. Half the time, people get so frustrated with somebody else that they play in a frustrated way, and get even more frustrated. I’ve found that the more you accept whatever arises, the more it DOES self-regulate. I think improvising finds its natural level.”

    “The Gathering is just ‘dealing with whatever arises’, and it’s the most PHENOMENAL training!”

    Follow the link to read more
  • Hits: 101
    Web Link Why is Improvising Important: interview with John Butcher
    This was the fourth interview from a 2018 series by Caroline Kraabel, initially broadcast on London's art radio station, Resonance 104.4 FM. Improvising saxophonist John Butcher on the London Improvisers Orchestra, London Skyscraper and improvisation in music and life.

    "Large-group improvisation is a very valuable thing to do, but I also find it the hardest [thing]." John Butcher

    credits

    from Why is Improvising Important?, track released June 10, 2018
    Recorded by Caroline Kraabel; thanks to John Butcher, Resonance 104.4 FM and John Edwards.
  • Hits: 114
    Web Link Why is Improvising Important: interview with Philipp Wachsmann
    This was the fourteenth interview from a 2018 series by Caroline Kraabel, initially broadcast on London's art radio station, Resonance 104.4 FM. Philipp Wachsmann improvises with viola, violin and electronics, and was a member of the original London Skyscraper group, as well as having been an important figure in the field of improvisation and contemporary mucic for many years.
     
    'I like to construct something new at the moment every time, and of course... I probably fail! Inevitably one fails, because one is oneself, with one's fingerprints and so on.

    credits

    from Why is Improvising Important?, released January 23, 2019
    Recorded by Caroline Kraabel; thanks to Philipp Wachsmann, Resonance 104.4 FM and John Edwards.

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Subcategories

  • Interviews - Text - Improvisers in Wales

    Interviews with artists, improvisers currently based in Wales - The criteria is loose to start with: see or read where it goes

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