Difference between revisions of "Solo - relational function"
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+ | *Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t-nunn-wisdom-of-the-impulse-on-the-nature-of-musical-free-improvisation] | ||
+ | *Nunn (1998) quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 2 [https://gupea.ub.gu.se/handle/2077/20293] | ||
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This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. | This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. |
Revision as of 11:10, 3 January 2020
Solo
` a single or dominant voice `
The soloist (whether accompanied or not) determines the musical direction, and if accompanied, others provide some support of that direction. A Solo, however, need not be extensive in group situations. The function of Solo can, and often does, shift rapidly among players, sometimes so rapidly that a single line may appear to be shared among two, three or more players.
Source
- Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [1]
- Nunn (1998) quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [2] link 2 [3]
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.
This is the link to the topic `solo` in the forum. [4]
This is the topic ticket number T1389
This is the link to the forum, `Relational functions - (T Nunn) [5]
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