Difference between revisions of "Interpolation - Relational functions"

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(Created page with "'''Interpolation''' - The insertion or overlaying of utterly foreign material upon existing material wherein two (or more) independent musical characters coexist without affec...")
 
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The material inserted, or interpolated, must remain unrelated to the present Flow. The Flow must likewise continue unaffected by the Interpolation to give the sense of "foreign" material inserted. If Interpolation changes the direction or nature of the Flow, it will function as Catalyst, and, if dense enough, Sound Mass. Interpolation also accounts for the not uncommon situation in which two or more improvisers are playing independently, with little or no apparent regard for one another, creating the situation in which relational tendencies may be intentionally ignored; emphasis is placed on Linear Functioning.
 
The material inserted, or interpolated, must remain unrelated to the present Flow. The Flow must likewise continue unaffected by the Interpolation to give the sense of "foreign" material inserted. If Interpolation changes the direction or nature of the Flow, it will function as Catalyst, and, if dense enough, Sound Mass. Interpolation also accounts for the not uncommon situation in which two or more improvisers are playing independently, with little or no apparent regard for one another, creating the situation in which relational tendencies may be intentionally ignored; emphasis is placed on Linear Functioning.
  
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==Source==
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*Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t-nunn-wisdom-of-the-impulse-on-the-nature-of-musical-free-improvisation]
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*Nunn (1998) quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 2 [https://gupea.ub.gu.se/handle/2077/20293]
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==Discuss this entry/topic==
 
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.
 
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.
  
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This is the link to the forum, `Relational functions - (T Nunn) [https://www.improvisersnetworks.online/forum/viewforum.php?f=705&sid=f86a13154619f4df29c5ff84f4221b3c]
 
This is the link to the forum, `Relational functions - (T Nunn) [https://www.improvisersnetworks.online/forum/viewforum.php?f=705&sid=f86a13154619f4df29c5ff84f4221b3c]
 
source: Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t-nunn-wisdom-of-the-impulse-on-the-nature-of-musical-free-improvisation]
 
 
source: Nunn (1998) quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 2 [https://gupea.ub.gu.se/handle/2077/20293]
 
 
  
 
[[Category:Relational functions]]
 
[[Category:Relational functions]]

Latest revision as of 11:09, 3 January 2020

Interpolation - The insertion or overlaying of utterly foreign material upon existing material wherein two (or more) independent musical characters coexist without affecting one another.

The material inserted, or interpolated, must remain unrelated to the present Flow. The Flow must likewise continue unaffected by the Interpolation to give the sense of "foreign" material inserted. If Interpolation changes the direction or nature of the Flow, it will function as Catalyst, and, if dense enough, Sound Mass. Interpolation also accounts for the not uncommon situation in which two or more improvisers are playing independently, with little or no apparent regard for one another, creating the situation in which relational tendencies may be intentionally ignored; emphasis is placed on Linear Functioning.

Source

  • Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [1]
  • Nunn (1998) quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [2] link 2 [3]

Discuss this entry/topic

This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.

This is the link to the topic `Interpolation - relational functions` in the forum. [4]

This is the topic ticket number T1395

This is the link to the forum, `Relational functions - (T Nunn) [5]