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		<title>Critical Studies in Improvisation - Revision history</title>
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		<updated>2026-04-26T20:59:04Z</updated>
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		<id>localhost/wiki/index.php?title=Critical_Studies_in_Improvisation&amp;diff=508&amp;oldid=prev</id>
		<title>Admin: Created page with &quot;Critical Studies in Improvisation/ Études critiques en improvisation is an open-access, peer-reviewed, electronic, academic journal on improvisation, community, and social pr...&quot;</title>
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				<updated>2020-02-17T19:42:58Z</updated>
		
		<summary type="html">&lt;p&gt;Created page with &amp;quot;Critical Studies in Improvisation/ Études critiques en improvisation is an open-access, peer-reviewed, electronic, academic journal on improvisation, community, and social pr...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Critical Studies in Improvisation/ Études critiques en improvisation is an open-access, peer-reviewed, electronic, academic journal on improvisation, community, and social practice housed at the University of Guelph. The editorial and advisory boards are made up of leading international scholars spanning diverse disciplines.&lt;br /&gt;
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==Introduction==&lt;br /&gt;
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While improvisational music has historically been analyzed within specific musical disciplines, what distinguishes the research profiled in CSI/ECI is its emphasis on improvisation as a site for the analysis of social practice. We contend that improvisation demands shared responsibility for participation in community, an ability to negotiate differences, and a willingness to accept the challenges of risk and contingency. Yet improvisation is a contested term. Its cultural significance is in dispute both in the academy and in the broader public understanding. CSI/ECI seeks to reveal the complex structures of improvisational practices and to develop an enriched understanding of the social, political, and cultural functions those practices play.&lt;br /&gt;
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We are particularly interested in historically and contextually specific articles that interrogate improvisation as a social and musical practice, and that assess how innovative performance practices play a role in developing new, socially responsive forms of community building across national, cultural, and artistic boundaries.&lt;br /&gt;
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==External Links==&lt;br /&gt;
[https://www.criticalimprov.com/index.php/csieci/index web link]&lt;br /&gt;
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[[Category:Resources &amp;amp; Research ]]&lt;/div&gt;</summary>
		<author><name>Admin</name></author>	</entry>

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