https:///localhost/wiki/index.php?action=history&feed=atom&title=Catalyst_-_Relational_Functions 2026-04-26T22:10:17Z Revision history for this page on the wiki MediaWiki 1.23.5 localhost/wiki/index.php?title=Catalyst_-_Relational_Functions&diff=392&oldid=prev 2020-01-03T11:02:30Z

<p>formatting update</p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 11:02, 3 January 2020</td> </tr><tr><td colspan="2" class="diff-lineno">Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>A Catalyst does not continue or reiterate, but rather happens only once, signalling a change. How the Flow is changed is unpredictable, but the fact that a change occurs immediately after a dynamic sound event of some kind makes it evident that it was catalytic in function. A Catalyst can be the product of a conscious, formal decision to change the Flow, to change the music in some definite way. It can also be an impulsive gesture completely outside of consciousness, the product of the Intelligent Body's sense of a need for change.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>A Catalyst does not continue or reiterate, but rather happens only once, signalling a change. How the Flow is changed is unpredictable, but the fact that a change occurs immediately after a dynamic sound event of some kind makes it evident that it was catalytic in function. A Catalyst can be the product of a conscious, formal decision to change the Flow, to change the music in some definite way. It can also be an impulsive gesture completely outside of consciousness, the product of the Intelligent Body's sense of a need for change.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==source==</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t-nunn-wisdom-of-the-impulse-on-the-nature-of-musical-free-improvisation]</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Nunn (1998) quoted &amp; discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 2 [https://gupea.ub.gu.se/handle/2077/20293]</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">source: Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t-nunn-wisdom-of-the-impulse-on-the-nature-of-musical-free-improvisation]</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">==Discuss this entry further==</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">source: Nunn (1998) quoted &amp; discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 2 [https://gupea.ub.gu.se/handle/2077/20293]</del></div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> </table>

Phil Morton localhost/wiki/index.php?title=Catalyst_-_Relational_Functions&diff=342&oldid=prev 2019-11-21T14:23:33Z

<p></p> <table class='diff diff-contentalign-left'> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Older revision</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Revision as of 14:23, 21 November 2019</td> </tr><tr><td colspan="2" class="diff-lineno">Line 10:</td> <td colspan="2" class="diff-lineno">Line 10:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>This is the link to the topic `<del class="diffchange diffchange-inline">Ground </del>- relational functions` in the forum. [https://www.improvisersnetworks.online/forum/viewtopic.php?f=712&amp;t=1394&amp;sid=0d5881ad711742251b02c671fb792a67]</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>This is the link to the topic `<ins class="diffchange diffchange-inline">Catalyst </ins>- relational functions` in the forum. [https://www.improvisersnetworks.online/forum/viewtopic.php?f=712&amp;t=1394&amp;sid=0d5881ad711742251b02c671fb792a67]</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This is the topic ticket number T1394</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>This is the topic ticket number T1394</div></td></tr> </table>

Admin localhost/wiki/index.php?title=Catalyst_-_Relational_Functions&diff=341&oldid=prev 2019-11-21T14:21:01Z

<p>Created page with &quot;Catalyst - An action to stimulate change in the musical character. A Catalyst does not continue or reiterate, but rather happens only once, signalling a change. How the Flow...&quot;</p> <p><b>New page</b></p><div>Catalyst - An action to stimulate change in the musical character.<br /> <br /> A Catalyst does not continue or reiterate, but rather happens only once, signalling a change. How the Flow is changed is unpredictable, but the fact that a change occurs immediately after a dynamic sound event of some kind makes it evident that it was catalytic in function. A Catalyst can be the product of a conscious, formal decision to change the Flow, to change the music in some definite way. It can also be an impulsive gesture completely outside of consciousness, the product of the Intelligent Body's sense of a need for change.<br /> <br /> <br /> source: Nunn (1998) Wisdom of The Impulse. On the Nature of Musical Free Improvisation. pdf part 1 page 26 of 50 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/796-t-nunn-wisdom-of-the-impulse-on-the-nature-of-musical-free-improvisation]<br /> <br /> source: Nunn (1998) quoted &amp; discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link 1 [http://improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 2 [https://gupea.ub.gu.se/handle/2077/20293]<br /> <br /> This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.<br /> <br /> This is the link to the topic `Ground - relational functions` in the forum. [https://www.improvisersnetworks.online/forum/viewtopic.php?f=712&amp;t=1394&amp;sid=0d5881ad711742251b02c671fb792a67]<br /> <br /> This is the topic ticket number T1394<br /> <br /> This is the link to the forum, `Relational functions - (T Nunn) [https://www.improvisersnetworks.online/forum/viewforum.php?f=705&amp;sid=f86a13154619f4df29c5ff84f4221b3c]<br /> <br /> <br /> [[Category:Relational functions]]</div>

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