Tuesday, December 07, 2021
Text Size

Liverpool The Blank Canvas Sextet - needs improvisers

The Blank Canvas Sextet  - Liverpool

 

An introduction

NOTE - This ensemble was previously called `The Blank Canvas Octet` but during the pandemic the ensemble met `online` on zoom. The membership changed. The ensemble now has a different identity to the Liverpool based ensemble. Phil Morton decided to change the name of the Liverpool based enemble `sextet`.

The house band - The Blank Canvas Sextet - will play "free improvised music"  using the music system, "System 50:50" - for more information "System 50:50" click here
There is no short term aim to explore contemporary compositional methods, e.g. Conduction, Cobra, graphic scores.

Frequency: The concerts schedule when the Sextet was launched was bi-monthly, the trend was towards monthly then the COVID-19 pandemic arrived.

There is no formal audition. New members are required to attend one performance as a member of the audience, then we have a discussion.

Here is a list of musicians who may currently appear in and with the Blank Canvas Sextet, . 

  • IAN SIMPSON, guitar
  • PAUL PIGNON [ Stockholm! ]
  • ROBIN HARTWELL
  • MARTIN HACKETT [ Oxford improvisers ]
  • PHIL MORTON, accidents and treatments
  • CLAYTON JACKSON, (Lancaster) electronics
  • PETER JONES, guitar
  • TIM WISE, reeds, Salford.
  • SIMON ROSS, Turntables, Macclesfield.
  • ALEX SCOTT, trombone,
  • SABINE KAUSMALL, guitar

Lapsed or floating members of the Sextet: Julia Cadman, John Pearson, Adam Roberts, Yashashwi Sharma, Kristina Warren ( returned to the USA), PHIL LUCKING, trumpets, PHIL HARGREAVES, RICHARD HARDING, guitar, DAVID CANTER, bass clarinet, ROB THORPE, guitar (Manchester), ANDREW LESLIE HOOKER, no input mixer (Pandy Tudor)

Some feedback on `System 50:50` froma participant

On system 50:50 “Definitely something with LOADS of possibilities - the reaction in the car driving back was unbelievably positive - no one could remember playing in a large ensemble that was so "open". The openness allowed me to play quietly, which meant the dynamics were incredible for an improvising large ensemble.” - Charlie Collins Sheffield

and

System 50/50 works well - it’s a really good way to get a group to play effectively without egos , virtuosity , and shyness getting in the way. It is democratic, inclusive. coherent, leaderless, focused, there is room to think and time to listen, choices. It is less competitive more cooperative. Ends well Simon Ross (Macclesfield), Blank Canvas Sextet - Liverpool

To express an interest, to request more information, to communicate, please go to the tab above called registratin and complete the form therein.

Phil Morton

Registration Form

To express an interest, to request more information, to communicate, please complete the form below

Name:*
E-mail:*
Name of the event or project, you have viewed on the website that interests you*
Location of the project if known: if not known, simply enter `not known`*
add your name to the contact list for this project and receive newsletters: .*
Your comments
Word Verification:

Read 3978 times