In Sonic Meditations, Pauline Oliveros distinguishes between two kinds of attention: and regards them as “complementary processes which are incorporated in activities for both musicians and
non-musicians”. 6 (Briggs 1986: 5)
Global (diffuse, non-linear)”,
source: quoted & discussed in Free Ensemble Improvisation, Harald Stenström, url link
Topic ticket number T1401
Global - attentive listening
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