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- byPhil Morton
- Tue Oct 15, 2019 8:10 am
- Forum: Just Google it - Wales
- Topic: Just Google it Wales - Getting startet
- Replies: 0
- Views: 7408
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- Improvisers' Networks Forums: Start & Welcome
- ↳ Introduction, registration, login,
- UK - improvisers' networks
- ↳ England : Improvisers' Networks England: Click here
- ↳ Contents - projects, promoters, events
- ↳ Frakture website
- ↳ Preston Jigsaw Group
- ↳ Jigsaw - Preston Participation, engagement and feedback zone
- ↳ Jigsaw - Preston workshops & events - a public view
- ↳ Jigsaw - Preston = workshops and introduction start here
- ↳ System 50:50
- ↳ System 50:50 Research, Discussion Topics, matters arising
- ↳ System 50:50 States, statements and research - Public, open access
- ↳ 1 It give me permission to do nothing
- ↳ 2 When improv is not working, Richard Harding
- ↳ 3 Rotation
- ↳ 4 Is it democratic
- ↳ 5 The density index - or sound mass
- ↳ 0 Introduction - what is System 50:50
- ↳ 6 The three considerations
- ↳ 7 Play two pieces with the settings reversed
- ↳ 8 Strategic vs aesthetic responses
- ↳ 9 Negatives, minus and dissapointment
- ↳ 10 Disruption of linear develpement and flocking
- ↳ 11 Hovering over decisions
- ↳ 12 The improviser has agency
- ↳ 13 The playist method - the interval - the problem
- ↳ 14 Is it a rehearsal tool or a concert item
- ↳ 15 Morphing trios - A sextet
- ↳ 16 Orchestral Considerations and system 50:50
- ↳ 17 the labels used on the device
- ↳ 18 Agency
- ↳ 50:50 Online
- ↳ 50:50 online getting started
- ↳ 50:50 Online Live - on Zoom - a public forum
- ↳ 50:50 Online Live streaming
- ↳ Jigsaw Liverpool
- ↳ month 04 June 2018
- ↳ month 07 july 2018
- ↳ month 11 2018 JIg lpool
- ↳ month 11 2018 JIg lpool
- ↳ 2019 jigsaw liverpool
- ↳ Framework list and apps
- ↳ Wales : Improvisers' Networks Wales: Click here
- ↳ Contents - Cynnwys
- ↳ Bangor : Gwynedd Improvisers network
- ↳ Improvisers Network - Gwynedd - a review
- ↳ Network Gwynedd & North Wales a review - start here
- ↳ Projects Wales
- ↳ i:GO Wales - Improvisers Guitar Orchestra
- ↳ i:GO Wales - Public view
- ↳ Improvisers Guitar Orchestra Wales - a public introduction,
- Marketing all locations
- ↳ contents - marketing - Public View
- ↳ find us in facebook campaign
- ↳ Just google it - Public view
- ↳ Just google it : getting started - Public View
- ↳ Just Google it - Area poster campaigns - public view
- ↳ Just Google it - Wales
- ↳ marketing ; the joomla site registered members' contact list
- Online content and projects
- ↳ Listings Books project
- ↳ Listings Books project getting started
- ↳ Made with the guitar - getting started
- ↳ Guitar - extended technoiques
- Online Infrastructure, support and maintenance Click Here
- ↳ Contents
- ↳ Listings & calendar
- ↳ Overview and introduction
- ↳ Google calendars
- ↳ Web apps A-Z
- ↳ Zoom video conferencing
- Research, categories, topics, definitions, testimonies, theory & practice
- ↳ Research - An index -
- ↳ Attentive listening - what is it?
- ↳ Attentive listening - the mind map
- ↳ Active listening - categories
- ↳ Attentive listening & free improvisation an introduction
- ↳ Background listening - Truax
- ↳ Listening-in-readiness - Truax
- ↳ Listening-in-search - Truax
- ↳ Focal (linear, sequential, directed) - Oliveros
- ↳ Global (diffuse, non-linear - Oliveros
- ↳ Quotes & quoatations
- ↳ Mind maps - exploring the nature and practice of free improvisation in performance
- ↳ mind maps start here
- ↳ Mind map - Elements of engagement
- ↳ The introduction
- ↳ The gender agenda
- ↳ getting started
- ↳ Dictionary of words and terms
- ↳ Relational functions - (T Nunn)
- ↳ Realational functions introduction and reviews
- ↳ Solo - relational functions
- ↳ Support - relational functions
- ↳ Dialogue - relational functions
- ↳ Sound mass - relational functions
- ↳ Ground - relational functions
- ↳ Catalyst - relational functions
- ↳ Interpolation - relational functions
- ↳ Relational functions - mind map approach
- ↳ Pedagogical applications of cognitive research on musical improvisation
- ↳ introduction and links
- ↳ Preview, framework, reading list
- ↳ 1 Exploration,
- ↳ 2 Process-orientated improvisation
- ↳ 3 Product-oriented improvisation
- ↳ 4 Fluid improvisation
- ↳ 5 Structural improvisation
- ↳ 6 Stylistic improvisation,
- ↳ 7 Personal improvisation
- ↳ Post view
- Venues
- ↳ Contents
- ↳ Venues Europe
- ↳ Contents
- ↳ Venues - England
- ↳ Merseyside
- ↳ All venues Merseyside as topics
- ↳ Birmingham
- ↳ Friction Arts
- ↳ Hare and hounds
- ↳ The Lamp Tavern
- ↳ Mac Birmingham
- ↳ Introdution
- ↳ The rehearsal rooms 1 -5
- ↳ Old joint stock, the
- ↳ Royal Birmingham Conservatoire, The
- ↳ Leicestershire
- ↳ leicester
- ↳ Uncategorised
- ↳ The Peer Hat Manchester UK
- ↳ People's Production Lab - Preston
- ↳ Wales
- ↳ Gwynedd
- ↳ Bangor University
- Free Improvisation & Workshops : All areas All topics
- ↳ Workshops & Free Improvisation - `exercises`- A public zone
- ↳ A list of workshop exercises exploring free Improvisation - public view
- ↳ 1 Play - Talk - Share - Public view
- ↳ 2 its not easy being green
- ↳ 3 Step in Step out
- ↳ 4 Just a minute or JAM
- ↳ 9 Parade Structure for quartet and other gatherings
- ↳ 14 The five considerations : Maggie Nicols