Difference between revisions of "Phil Morton (Musician)"
Phil Morton (Talk | contribs) (→Early interest in `free improvisation`) |
Phil Morton (Talk | contribs) (→Early interest in `free improvisation`) |
||
Line 13: | Line 13: | ||
== Early interest in `free improvisation` == | == Early interest in `free improvisation` == | ||
− | Phil Morton's first contact with what is known as `free improvisation` was Charles Fox `jazz today` programme BBC Radio 3. On hearing the sounds and music of, Barry Guy, Paul Rutherford and Derek Bailey his response at the age of 13 was: they are doing that deliberately to annoy me. It was not a pleasurable sound, but interesting. He is still interested. | + | Phil Morton's first contact with what is known as `free improvisation` was Charles Fox `jazz today` programme BBC Radio 3. On hearing the sounds and music of, Barry Guy, Paul Rutherford and Derek Bailey his response at the age of 13 was: they are doing that deliberately to annoy me. It was not a pleasurable sound, but interesting. He is still interested. He would buy the magazine `Musics` at the radical bookshop `News from nowhere`. He speculates his first `improv gig` was Alterations featuring Steve Beresford, Peter Cusack and Terry Day and attended the workshop too. |
== Frakture years == | == Frakture years == |
Revision as of 09:30, 21 February 2018
Phil Morton (born 1954, in Liverpool) is a musician who has worked mainly in the field of free improvisation since the 1992. He has been active consistently during that time as a promoter of concerts of freely improvised music in Liverpool and the north, providing hundreds of playing opportunities for both local and international musicians.
Contents
Introduction
Early years
Early interest in `free improvisation`
Phil Morton's first contact with what is known as `free improvisation` was Charles Fox `jazz today` programme BBC Radio 3. On hearing the sounds and music of, Barry Guy, Paul Rutherford and Derek Bailey his response at the age of 13 was: they are doing that deliberately to annoy me. It was not a pleasurable sound, but interesting. He is still interested. He would buy the magazine `Musics` at the radical bookshop `News from nowhere`. He speculates his first `improv gig` was Alterations featuring Steve Beresford, Peter Cusack and Terry Day and attended the workshop too.
Frakture years
Frakture 1997 - 2014 initially conceived as a `music club` or space developed into a creative arts Organisation nay a `creative industry` .
Discography
Groups
Workshop & activity
Projects commissioned by third parties
The Liverpool Biennial, Sonic Gaze 2005
Liverpool Hope University - Sound relay project 2004
The Long Walk, Liverpool, for More Music 2007