Difference between revisions of "Listening in readiness - Attentive listening"
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''"Listening in readiness implies for Truax a “state of attention to receive “significant” audio information and familiar sounds-associations built up over time that may be readily identified”. (p. 80)'' | ''"Listening in readiness implies for Truax a “state of attention to receive “significant” audio information and familiar sounds-associations built up over time that may be readily identified”. (p. 80)'' | ||
| − | + | '''Source''': Nunn (1998) quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [http://www.improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] | |
'''This entry is supported by the improvisers' networking online discussion board.''' You can discuss the definition, the theory, at the discussion board. | '''This entry is supported by the improvisers' networking online discussion board.''' You can discuss the definition, the theory, at the discussion board. | ||
Revision as of 14:06, 22 November 2019
Listening-in-readiness Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listening-in-readiness, and background listening”. 5 (pp. 79–80)
"Listening in readiness implies for Truax a “state of attention to receive “significant” audio information and familiar sounds-associations built up over time that may be readily identified”. (p. 80)
Source: Nunn (1998) quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [1]
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.
This is the link to the topic `Listening in readiness - Attentive listening` in the forum. [2]
Alternatively enter this topic ticket number T1398 in the discussion board search box
This is the link to the forum, `Attentive listening - what is it` [3]
