Difference between revisions of "Gesture"

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aspect of musical communication”. (Wishart 1985:13)
 
aspect of musical communication”. (Wishart 1985:13)
  
 
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==Source==
 
The quotes are to be found in, or were taken from,  Free Ensemble Improvisation, Harald Stenström A Thesis, page 58, link [http://www.improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis]
 
The quotes are to be found in, or were taken from,  Free Ensemble Improvisation, Harald Stenström A Thesis, page 58, link [http://www.improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis]
  
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==Discuss this further==
 
This posting `gesture` is supported by the Discussion board of the improvisers networks website  
 
This posting `gesture` is supported by the Discussion board of the improvisers networks website  
  

Revision as of 10:53, 3 January 2020

Gesture

The term `gesture` or `gestural` can be heard or read in the discourse surrounding `free improvisation` as spoken and written by the practioners themselves.

What does it mean?

Here are some examples, where an individual unpacks the word `Gesture/gestural`

Westendorf defines a gesture as “a musical thought or entity complete unto itself” that can “vary in length, style (or type), articulation, tone, dynamic quality, rhythm, pitch, etc.” (Westendorf 1994: 91)

Reinholdsson feels that “a musical gesture may include any tone or combination of tones which are marked off as a unitary event (with beginning and end)”. (Reinholdsson 1998: 130)

“Gestural structure is the most immediate and yet notationally the most elusive aspect of musical communication”. (Wishart 1985:13)

Source

The quotes are to be found in, or were taken from, Free Ensemble Improvisation, Harald Stenström A Thesis, page 58, link [1]

Discuss this further

This posting `gesture` is supported by the Discussion board of the improvisers networks website

the topic ticket number is T1388

the url link is [2]