Difference between revisions of "Background listening - attentive listening"
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This is the link to the topic `Background listening - Attentive listening` in the forum. [https://www.improvisersnetworks.online/forum/viewtopic.php?f=716&t=1397&p=1799&sid=f80d93bf18b9188715f2150b83b17a1c#p1799] | This is the link to the topic `Background listening - Attentive listening` in the forum. [https://www.improvisersnetworks.online/forum/viewtopic.php?f=716&t=1397&p=1799&sid=f80d93bf18b9188715f2150b83b17a1c#p1799] | ||
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This is the link to the forum, `Attentive listening - what is it` [https://www.improvisersnetworks.online/forum/viewforum.php?f=342&sid=f80d93bf18b9188715f2150b83b17a1c] | This is the link to the forum, `Attentive listening - what is it` [https://www.improvisersnetworks.online/forum/viewforum.php?f=342&sid=f80d93bf18b9188715f2150b83b17a1c] | ||
Revision as of 14:00, 22 November 2019
Background listening
Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listening-in-readiness, and background listening”. 5 (pp. 79–80)
Background listening “occurs continuously when we are not listening for a particular sound . . . where the listener is actively engaged in some other activity”. (p. 80)
source: quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [1] link 1
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board.
This is the link to the topic `Background listening - Attentive listening` in the forum. [2]
Alternatively enter this topic ticket number T1307 in the discussion board search box
This is the link to the forum, `Attentive listening - what is it` [3]
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