Difference between revisions of "Background listening - attentive listening"
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| − | '''source''': quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [ | + | '''source''': quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [http://www.improvisersnetworks.online/resources/books-and-documents/item/480-free-ensemble-improvisation-harald-stenstroem-a-thesis] link 1 |
This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. | This entry is supported by the improvisers' networking online discussion board. You can discuss the definition, the theory, at the discussion board. | ||
Revision as of 13:54, 22 November 2019
Background listening
Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listening-in-readiness, and background listening”. 5 (pp. 79–80)
Background listening “occurs continuously when we are not listening for a particular sound . . . where the listener is actively engaged in some other activity”. (p. 80)
source: quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 [1] link 1
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This is the link to the forum, `Attentive listening - what is it` [3]
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