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In Sonic Meditations, Pauline Oliveros distinguishes between two kinds of attention: and regards them as “complementary processes which are incorporated in activities for both musicians and non-musicians”. 6 (Briggs 1986: 5)

Focal (linear, sequential, directed)

source: quoted & discussed in Free Ensemble Improvisation, Harald Stenström, page 90 url link

Topic ticket number T1400