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Last post 1 Project framework summary 1
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Last post Zoom video conferencing - sta…
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- ↳ 1 It give me permission to do nothing
- ↳ 2 When improv is not working, Richard Harding
- ↳ 3 Rotation
- ↳ 4 Is it democratic
- ↳ 5 The density index - or sound mass
- ↳ 0 Introduction - what is System 50:50
- ↳ 6 The three considerations
- ↳ 7 Play two pieces with the settings reversed
- ↳ 8 Strategic vs aesthetic responses
- ↳ 9 Negatives, minus and dissapointment
- ↳ 10 Disruption of linear develpement and flocking
- ↳ 11 Hovering over decisions
- ↳ 12 The improviser has agency
- ↳ 13 The playist method - the interval - the problem
- ↳ 14 Is it a rehearsal tool or a concert item
- ↳ 15 Morphing trios - A sextet
- ↳ 16 Orchestral Considerations and system 50:50
- ↳ 17 the labels used on the device
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- ↳ Attentive listening & free improvisation an introduction
- ↳ Background listening - Truax
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- ↳ Focal (linear, sequential, directed) - Oliveros
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- ↳ Mind maps - exploring the nature and practice of free improvisation in performance
- ↳ mind maps start here
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- ↳ The introduction
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- ↳ Realational functions introduction and reviews
- ↳ Solo - relational functions
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- ↳ Relational functions - mind map approach
- ↳ Pedagogical applications of cognitive research on musical improvisation
- ↳ introduction and links
- ↳ Preview, framework, reading list
- ↳ 1 Exploration,
- ↳ 2 Process-orientated improvisation
- ↳ 3 Product-oriented improvisation
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- Free Improvisation & Workshops : All areas All topics
- ↳ Workshops & Free Improvisation - `exercises`- A public zone
- ↳ A list of workshop exercises exploring free Improvisation - public view
- ↳ 1 Play - Talk - Share - Public view
- ↳ 2 its not easy being green
- ↳ 3 Step in Step out
- ↳ 4 Just a minute or JAM
- ↳ 9 Parade Structure for quartet and other gatherings
- ↳ 14 The five considerations : Maggie Nicols