Search found 68 matches
- Wed Dec 08, 2021 9:38 am
- Forum: Made with the guitar - getting started
- Topic: URL of this feature
- Replies: 0
- Views: 6116
URL of this feature
URL of this feature, correct at 08 12 2021 http://www.improvisersnetworks.online/resources/improvisations-made-with/made-with-the-guitar URL are subject to change: if the above is a broken link, the feature may have been moved. If this is true, use the site search feature https://www.improvisersnetw...
- Sat May 02, 2020 7:12 am
- Forum: Preview, framework, reading list
- Topic: Reading list - Pedagogical applications of ~
- Replies: 0
- Views: 7552
Reading list - Pedagogical applications of ~
Items 1-11 suggested by Russ Grant, Llanwrst Wales, 2020 1) Generative Processes in Music, The Psychology of Performance, Improvisation and Composition : edited by John A Sloboda (2000) 2) Pedagogical applications of cognitive research on musical improvisation (May 2015)Michele Biasutti* Department ...
- Sat May 02, 2020 7:09 am
- Forum: Preview, framework, reading list
- Topic: Framework for discussion and review (1) R Grant
- Replies: 1
- Views: 5228
Framework for discussion and review (1) R Grant
Practice and Preparedness for Free Improvisation Russ Grant 07 April 2020, Llanwrst, wales 2020 Framework 1 Definition Free improvisation Improvisation Freedom 2 The goal of Practice and Preparation in Free Improvisation 3 Contemporary Practice Approaches in Free Improvisation Notes on 3: How do Fr...
- Sat Mar 28, 2020 8:06 am
- Forum: Quotes & quoatations
- Topic: The Barking dog by Gernot Böhme
- Replies: 0
- Views: 10109
The Barking dog by Gernot Böhme
What does “when listening as such,not listening to something” mean? In asking this question one notices the great extent to which listening is as a rule object-oriented. I hear a car driving by, I hear the clock strike twelve, I hear somebody talking, I hear a mosquito, I hear a ship’s horn. This ki...
- Sat Mar 28, 2020 8:03 am
- Forum: Quotes & quoatations
- Topic: It is the difference between by Barry Traux
- Replies: 0
- Views: 7873
It is the difference between by Barry Traux
It is the difference between; sounds expressing something else e.g happiness. and the expression arising from their behaviour and structure. One process reinforces an existing communicational relationship, the other extends and transforms it.
Barry Traux, acoustic communication, page 249
Barry Traux, acoustic communication, page 249
- Fri Mar 27, 2020 7:38 am
- Forum: Background listening - Truax
- Topic: Background listening
- Replies: 1
- Views: 5724
Re: Background listening
Mr Morton writes: This `feels like` a polite way of saying, you are not listening to me, with the personal judgement and hint of disparagement removed, and thus is to be welcomed.
- Fri Nov 22, 2019 2:36 pm
- Forum: Attentive listening & free improvisation an introduction
- Topic: Attentive listening - an introduction
- Replies: 0
- Views: 9414
Attentive listening - an introduction
It is rather obvious that free ensemble improvisation demands “an intense concentration on the music” and “an intense listening to the whole” (point 1), since there is nothing else to adopt as a base for the interaction between the musicians, that is to say, the ensemble improvisation, than their li...
- Fri Nov 22, 2019 2:27 pm
- Forum: Global (diffuse, non-linear - Oliveros
- Topic: Global - attentive listening
- Replies: 0
- Views: 5709
Global - attentive listening
In Sonic Meditations, Pauline Oliveros distinguishes between two kinds of attention: and regards them as “complementary processes which are incorporated in activities for both musicians and non-musicians”. 6 (Briggs 1986: 5) Global (diffuse, non-linear)”, source: quoted & discussed in Free Ensemble ...
- Fri Nov 22, 2019 2:20 pm
- Forum: Focal (linear, sequential, directed) - Oliveros
- Topic: Focal - start hear
- Replies: 0
- Views: 5541
Focal - start hear
In Sonic Meditations, Pauline Oliveros distinguishes between two kinds of attention: and regards them as “complementary processes which are incorporated in activities for both musicians and non-musicians”. 6 (Briggs 1986: 5) Focal (linear, sequential, directed) source: quoted & discussed in Free Ens...
- Fri Nov 22, 2019 2:12 pm
- Forum: Listening-in-search - Truax
- Topic: Listening-in-search start here
- Replies: 0
- Views: 5561
Listening-in-search start here
Listening-in-search Barry Truax has, according to Borgo (1999), “described three general modes of engaging with the acoustic soundscape: listening-in-search, listening-in-readiness, and background listening”. 5 (pp. 79–80) Listening-in-search means that “one scans the acoustic soundscape for particu...